{"id":8584,"date":"2013-03-01T00:00:00","date_gmt":"2013-02-28T23:00:00","guid":{"rendered":"https:\/\/idibell.cat\/blog\/2013\/03\/01\/el-musicoleg-jaume-ayats-ens-proposa-entrenar-la-nostra-oida-per-entendre-altres-cultures-a-cosmocaixa\/"},"modified":"2022-02-18T16:13:32","modified_gmt":"2022-02-18T15:13:32","slug":"el-musicoleg-jaume-ayats-ens-proposa-entrenar-la-nostra-oida-per-entendre-altres-cultures-a-cosmocaixa","status":"publish","type":"post","link":"https:\/\/idibell.cat\/2013\/03\/el-musicoleg-jaume-ayats-ens-proposa-entrenar-la-nostra-oida-per-entendre-altres-cultures-a-cosmocaixa\/","title":{"rendered":"El music\u00f2leg Jaume Ayats ens proposa entrenar la nostra o\u00efda per entendre altres cultures a Cosmocaixa"},"content":{"rendered":"

A difer\u00e8ncia de la creen\u00e7a popular, la m\u00fasica no \u00e9s un llenguatge universal. La diversitat musical, d\u2019expressions sonores i de concepcions del so que tenen les diferents societats humanes pot arribar a dificultar l\u2019apropament entre cultures. El pr\u00f2xim 5 de mar\u00e7 a CosmoCaixa<\/a>, el director del Museu de la M\u00fasica de Barcelona<\/a>, Jaume Ayats, ens proposa un viatge arreu de m\u00fasiques llunyanes i desconegudes per tal que coneixem la nostra o\u00efda social i la seva import\u00e0ncia per relacionar-nos amb les persones i amb el m\u00f3n.<\/p>\n

La xerrada \u201cLes perplexitats del viatge musical\u201d s\u2019emmarca en el cicle de confer\u00e8ncies \u201cLa m\u00fasica i el seu impacte en el cos i la ment\u201d organitzat per l\u2019Obra Social \u201cla Caixa\u201d i l\u2019IDIBELL, sota la coordinaci\u00f3 d\u2019Antoni Rodr\u00edguez-Fornells (IDIBELL-ICREA-UB).<\/p>\n

El director del Museu de la M\u00fasica de Barcelona, Jaume Ayats, proposa entrenar el que ell anomena la nostra o\u00efda social per entendre com persones de ambients culturals diferents usen l\u2019expressi\u00f3 sonora i la m\u00fasica per construir emocions i vida social. Durant la xerrada, Ayats ens acompanyar\u00e0 en un viatge musical per diverses cultures i expressions musicals molt allunyades de les nostres expectatives habituals que ens servir\u00e0 per ser conscients de la nostra o\u00efda social i de la seva import\u00e0ncia per entendre altres cultures facilitant aix\u00ed la relaci\u00f3 entre persones de diferents ambients i tamb\u00e9 amb el m\u00f3n que ens envolta.<\/p>\n

Jaume Ayats \u00e9s m\u00fasic i professor d\u2019etnomusicologia a la Universitat Aut\u00f2noma de Barcelona, \u00e9s professor de viol\u00ed del Conservatori Municipal de M\u00fasica de Barcelona i l\u2019actual director del Museu de la M\u00fasica de Barcelona.<\/p>\n

Tamb\u00e9 ha realitzat estudis d’etnomusicologia a l’\u00c9cole des Hautes \u00c9tudes en Sciences Sociales de Par\u00eds. Ha escrit la seva tesi doctoral sobre l’expressi\u00f3 sonora de les multituds en el m\u00f3n urb\u00e0 europeu i ha investigat la m\u00fasica oral catalana amb el Grup de Recerca Folkl\u00f2rica d\u2019Osona.<\/p>\n

Cicle de confer\u00e8ncies<\/strong>
\n<\/strong> El cicle de confer\u00e8ncies \u201cLa m\u00fasica i el seu impacte en el cos i la ment\u201d est\u00e0 organitzat per l\u2019Obra Social<\/p>\n

\u201cla Caixa\u201d i l’Institut d’Investigaci\u00f3 Biom\u00e8dica de Bellvitge (IDIBELL). Les sessions tindran lloc a CosmoCaixa Barcelona del 31 de gener al 4 de juny, i reunir\u00e0 experts reconeguts internacionalment com Steven Mithen, Sandra Trehub, Eckart Altenmuller, Jaume Ayats, Emmanuel Bigand i Josef Rauschecker. El cicle est\u00e0 coordinat per l’investigador ICREA de l’IDIBELL i la Universitat de Barcelona, \u200b\u200bAntoni Rodr\u00edguez Fornells.
L’activitat pret\u00e9n entendre un fenomen cultural sorprenent de la nostra esp\u00e8cie: la m\u00fasica. Les confer\u00e8ncies tractaran sobre l’origen de la m\u00fasica i com ha evolucionat, des del moment en qu\u00e8 algun dels nostres avantpassats va construir per primera vegada una flauta per comen\u00e7ar a produir els primers sons, fa aproximadament 40.000 anys, fins a les \u00faltimes transformacions musicals i tecnol\u00f2giques. Les q\u00fcestions que sorgeixen al voltant de la m\u00fasica s\u00f3n innombrables, des de com es desenvolupen les habilitats musicals en els nadons fins a qu\u00e8 \u00e9s el que caracteritza a aquelles persones amb talent per aquest art.<\/p>\n

De fet, entendre la m\u00fasica, la seva relaci\u00f3 i el seu impacte amb el nostre cos a trav\u00e9s de l’expressi\u00f3 de les emocions, el seu valor com a vincle social i comunicador, la seva evoluci\u00f3 en el temps, hist\u00f2ria i expressions culturals, “ens permetr\u00e0 comprendre millor tant les futures expressions musicals com per qu\u00e8, en moltes cultures, s’empra la m\u00fasica en diferents contextos curatius”, explica Antoni Rodr\u00edguez-Fornells. El coordinador del cicle de confer\u00e8ncies, cap del grup de recerca de Cognici\u00f3 i Plasticitat Cerebral de l’IDIBELL i la UB, destaca especialment “la capacitat de la m\u00fasica per estimular la plasticitat cerebral i contribuir a la possible reorganitzaci\u00f3 dels circuits neuronals”.<\/p>\n","protected":false},"excerpt":{"rendered":"

A difer\u00e8ncia de la creen\u00e7a popular, la m\u00fasica no \u00e9s un llenguatge universal. La diversitat musical, d\u2019expressions sonores i de concepcions del so que tenen les diferents societats humanes pot arribar a dificultar l\u2019apropament entre cultures. El pr\u00f2xim 5 de mar\u00e7 a CosmoCaixa, el director del Museu de la M\u00fasica de Barcelona, Jaume Ayats, ens […]<\/p>\n","protected":false},"author":6,"featured_media":20557,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[368,491,340,457],"tags":[],"publishpress_future_action":{"enabled":false,"date":"2024-05-09 20:44:04","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category"},"_links":{"self":[{"href":"https:\/\/idibell.cat\/wp-json\/wp\/v2\/posts\/8584"}],"collection":[{"href":"https:\/\/idibell.cat\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idibell.cat\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idibell.cat\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/idibell.cat\/wp-json\/wp\/v2\/comments?post=8584"}],"version-history":[{"count":1,"href":"https:\/\/idibell.cat\/wp-json\/wp\/v2\/posts\/8584\/revisions"}],"predecessor-version":[{"id":20573,"href":"https:\/\/idibell.cat\/wp-json\/wp\/v2\/posts\/8584\/revisions\/20573"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/idibell.cat\/wp-json\/wp\/v2\/media\/20557"}],"wp:attachment":[{"href":"https:\/\/idibell.cat\/wp-json\/wp\/v2\/media?parent=8584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idibell.cat\/wp-json\/wp\/v2\/categories?post=8584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idibell.cat\/wp-json\/wp\/v2\/tags?post=8584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}